Wednesday, May 6, 2020

Poetry Nothing Is beautiful As Spring Free Essays

â€Å"Nothing is beautiful as Spring†. This Italian sonnet was written to describe a natural world. God’s presence is identified as an electrical current that runs through the earth. We will write a custom essay sample on Poetry Nothing Is beautiful As Spring or any similar topic only for you Order Now God’s presence runs like the refracted glinting of light produced by metal foil, whenever it is moved quickly. The sonnet quotes God to be like rich oil. Oil is very rich and thick. Oil is needed every where around the world. If you don’t believe it, drive your car month after month without getting an oil change or even oil in general. With God being identified as oil, he is measured as greatness. Given these strong proofs of Gods divine presence the poet that wrote this particular sonnet how and why do humans fail to recognize his presence and his divine authority. God’s authority is described as the â€Å"rod†. This sonnet also deals with the state of human life. It also deals with human nature. God crated all things in earth and above heaven. This sonnet talks and deals with human life. Why don’t people recognize the things that God has placed in the world? He gave us these things to use for our needs Permeating the world is a deep â€Å"freshness† that testifies to the continual renewing power of God’s creation. The power of renewing is seen during the morning always waits on the other side of the darkness of the night. This final image is one of God guarding the impending of the world and containing within Him the power and assurance of rebirth. Gerard Manley Hopkins is one of the most phenomenal 19th-century poets of religion, of nature, and of inner anguish. His view of nature and the world is like a book written by God himeslf. In this poem God expresses himself completely, and it is y â€Å"reading† the world that humans can approach God and learn about Him. Hopkins therefore sees the environmental crisis of the Victorian period as vitally linked to that era’s spiritual crisis, and many of his poems have become man’s indifference to the destruction of sacred natural and religious order. This poet harbored an acute interest in the scientific and technological advances of his day; he saw new discoveries as further evidence of God’s deliberate hand, rather than as refutations of God’s existence. Hopkins wrote mostly in the sonnet form. He preferred the Italian r Petrarchan sonnet, which contains of an octave followed by a sestet, with a turn in argument or change in tone occurring in the second part. Hopkins normally uses the octave to present some account of personal or sensory experience and then employs the sestet for philosophical reflection. While Hopkins enjoyed the structure the sonnet form imposes, with its fixed length and rhyme scheme, he nevertheless he constantly stretched and tested its limitations. One of Hopkins major innovations was a new metrical form, called sprung rhythm. In sprung rhythm, the poet counts the umber of accented syllables in the line, and places no limit on the total number of syllables. As opposed to syllabic meters (such as the iambic), which count both stresses and syllables, this form allows for greater freedom in the position and proportion of stresses. English verses have traditionally alternated, stressed and unstressed syllables with occasional variation, Hopkins was free to place multiple stressed syllables one atter another or to run a large number ot unstressed syllables together (as in â€Å"Finger of a tender of, O of a feathery delicacy’ from Wreck of the Deutschland). This gives Hopkins great control over the speed of his lines and their dramatic effects. Another unusual poetic resource Hopkins favored is â€Å"consonant chiming,† a technique he learned from Welsh poetry. The technique involves detailed use of alliteration and internal rhyme; in Hopkins’s eyes this creates an unusual thickness and resonance. The close linking of words through sound and rhythm complements Hopkins’s themes of finding a guide and design everywhere. Hopkins’s form is also characterized by a stretching of the convention of grammar and sentence structure, o that newcomers to his poetry must often strain to parse his sentences. Deciding which word in a given sentence is the verb, for example, can often involve significant interpretive work. In addition, Hopkins often invents words, and draws his vocabulary freely from a number of different registers of diction. This leads to a surprising mix of neologisms and archaisms throughout his lines. Yet for all his innovation and disregard of convention, Hopkins’ goal was always to bring poetry closer to the character of natural, living speech. How to cite Poetry Nothing Is beautiful As Spring, Papers

Sunday, April 26, 2020

Pirates of Globalization An overview of Intellectual Property Rights Essay Example

Pirates of Globalization: An overview of Intellectual Property Rights Essay Intellectual property theft is one of the major concerns for global business leaders. In an era of globalization and fast dissemination of information, fraudulent manufacturers employ sophisticated means of acquiring patented information and exploit it for commercial gain. As Catherine Holahan notes in her article for Business Week, pirated goods now account for nearly 7 percent of all commercial activity across the world. Developing economies such as India, China, Brazil and Russia are proving to be hotbeds for this trend as Intellectual Property laws are either vague or poorly developed here. Moreover, in the era of the Internet, online commercial transactions across borders are especially difficult to bring under the purview of cyber law, as there is no consensus between different participant nations. It is due to this reason that Digital Rights Management (DRM) has been conceived and implemented. (Holahan, 2008) The rest of this essay will look into some of the mechanisms fo r protecting Inellectual Property rights, especially that of DRM. In this era of globalization, intellectual property rights face their greatest threat through the open and free transmission of information in the cyber world. The case for enterprise DRM is synonymous with the case for a well-articulated, role-based technology and data protection policy. DRM simply moves the point of data security from that of the network hardware or the computer software down to the individual document, or even right down to document-based operations (Compton, 2005). Simon Halberstam, a noted expert on the subject gives an interesting insight: â€Å"Legal protections for digital IP theft have been generally strengthened in the UK and in major jurisdictions such as the EU and US, but a lack of synchronization between them and dubious enforceability in many other markets, keeps companies looking for more proactive protections. It’s difficult to impose UK laws on someone operating in Eastern Europe or China. In other words, if you want people to respect your rights, you need technological means of achieving it† (Compton, 2005). We will write a custom essay sample on Pirates of Globalization: An overview of Intellectual Property Rights specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Pirates of Globalization: An overview of Intellectual Property Rights specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Pirates of Globalization: An overview of Intellectual Property Rights specifically for you FOR ONLY $16.38 $13.9/page Hire Writer As the current enforcement environment is full of loop holes, it becomes easy to pirate intellectual property. But the flaws inherent in the system, which is largely as a result of Information Technology industry’s lack of foresight and rigorous testing of the new business model, has been drawing concerns from commentators right from its inception. Since most business transactions take place with the aid of the Internet in the globalized era, the initiation of DRM is of special importance. The Digital Rights Management (DRM) initiative is an industry wide agreement on a robust and fool-proof data security technology. The necessity for such a sophisticated technology is the rapid growth in online commerce, especially the businesses related to entertainment. This includes downloadable movies, music albums, electronic books, etc. A very successful application of DRM technology is seen in Apple’s iTunes service. Music offered for purchase is encrypted and the unlocking the encryption is only possible by a â€Å"compatible player with the correct password† (O’Brien, 2004). For example, when a new song is bought, the buyer is required to send the unique code of his music player to the iTunes technical department. After this, the iTunes manufacturing unit encrypts the music file based on the customer’s unique music player code. This way, the file could not be opened by any other player than that of the customer’s (O’Brien, 2004). The Digital Rights Management technology was hailed as an ingenious and fool-proof method of protecting intellectual property rights when it was first proposed to online music companies. But, its practical success did not seem to match the high expectations that it created initially. What could be the reasons? Well, while there are a myriad of factors contributing toward this result, one significant one is the inadequate domain knowledge of people in the music manufacturing industry. In a world that is becoming ever smaller, specialization in one skill and ignorance in allied areas will no longer work. For example, the Information Technology gurus of music manufacturing industry are proficient in fitting high volume, high quality data in the most convenient of mediums at the cheapest of prices. But unless a broader understanding of the context of the business in terms of its legal, economic and social aspects is paid heed to, success will be difficult to achieve. Let us look a t the reasons why this is the case. The following is a classic example of creative application of technology but poor commercial results. For example, if a customer buys a film DVD from an online shop, he/she could be charged for each view of the film in a video player that does not correspond to the encryption code. While this restricts customers from benefiting from someone else’s purchase, it turned out to be a bad public relations exercise. Circulating DVDs among friends is a popular way of maintaining social contact and exchange of information. But, the fact that the customer could never really â€Å"own† the DVD unless he views it with his own player can be very offensive to the customer. Secondly, reselling is a longstanding tradition associated with all retail content – be it entertainment or information. The DRM makes it impossible for second-hand sale of the content it offers, irking the customers again. This case of failure to protect intellectual property is due to a lack of unde rstanding on part of the manufacturers (basically Information Technology professionals) about the social aspects of digital data consumption (O’Brien, 2004). A review of the scholarly literature on the subject lays open to the reader layer upon layer of poor perspective on part of Information Technology professionals. Let us leave alone all the other negative implications of the DRM systems in place presently. The least we can expect from DRM is a little progress toward curbing digital piracy in general and music piracy in particular. But DRM has failed to achieve its bottom-line in even the most liberal of evaluations. All DRM implementations ranging from Apple’s FairPlay to Advanced Access Content System employed for HD DVD versions have been circumvented by the resourceful. All entertainment content – be it music or movies – could be tapped off air. In other words, one need not hold a doctorate in electronic communication to record/copy protected content as it is playing. It is hard to believe, but nevertheless a fact, that the best brains of the Information Technology industry could not fathom this, let alo ne trying to address it (Goodman, 2007).

Wednesday, March 18, 2020

The Body Snatcher Essays

The Body Snatcher Essays The Body Snatcher Essay The Body Snatcher Essay Essay Topic: Literature The Body Snatcher is a classic horror by R. L. Stevenson, in the first paragraph, creates images of horror and how the story is based on real people called Burke and Hare, who were grave robbers in Edinburgh in 1829. The story was gripping for start to finish; it was based in an inn near London. The inn was called The George. There were storytellers, and the inn only had old oil lamps. This gave the start of the story; a sense of horror, the lamps and the storytellers allows us to know that this was an old fashioned inn. This gave the opening scene a sense of horror and builds tension on what Fettes says: Have you seen it again? This allows the reader to question what it is. R. L. Stevenson writes the story so that the beginning is at the end of the story. He writes the story so that the storyteller tells he story like the narrator is a watcher over Fettes and Macfarlane and also a listener in the inn. Fettes was a student at a medical school of Anatomy in Edinburgh. Macfarlane was another student in the same medical school. When Fettes hears that Macfarlane is in the inn, Fettes jumps up in shook. Fettes became instantly sober: his eyes awoke. The reader now knows the Fettes and Macfarlane have history between them. The twist to the story is that Fettes and Macfarlane are like Burke and Hare, they wanted bodies for their anatomy class, so they started to dig up bodies from graves and Fettes realises that Macfarlane was having people murdered an Fettes realises because someone who he was talking to the day before, was murdered and taken to his house. Fettes was terrified of Macfarlane and went along with all his plans. The day after in the class, Fettes watched over the other students after knowing the person was and how she ended up in the anatomy class. Jane Gailbrath? Was she murdered? Fettes quizzed himself all through the class. After this, Fettess mood changed, from a pleasant medical student to couldnt careless student. This links with the twist to build tension and create realism. Macfarlane is the second biggest character; his mood throughout the story is evil and demented. He uses Fettes to get bodies for Dr K the medical teacher. The last section of the story is focused on the countryside and how much Fettes and Macfarlane are to Burke and Hare. In this section, Stevenson uses many quotes to describe the mysterious and scary settings: there was no sound but that of their own passage, and the incessant, strident pouring of the rain. It was pitch dark The graveyard was the most dramatic scene throughout the story, here is where Stevenson builds incredible tension. The light breaking gave the setting total blackness and no sounds. When they had got the body they transported it in their van and the body was bouncing from side to side, the gig, flopping from side-to-side. This gave this scene horror an tension. This tells the reader that Fettes and Macfarlane dont care about murdering people, but they also steal graves, like Burke and Hare. The twist at the end of the story is that the person that they have dug up is their friend Gray who was with Fettes and Macfarlane, at the start of the story. Long dissected Gray This is a horror by R. L. Stevenson which wont be forgotten. The Body Snatcher and like other well know horror stories such as Dr Jekyl and Mr Hyde and Dracula gives horror and suspence and builds tension all through the story, also creating realism and reflecting on real people, such as Burke and Hare. Stevensons choice of language and imagery also gave the story, horror and tension. The story gives off lots and easy to read language for the younger reader to the older reader. The twist is that the end of the story describes the changes of the characters, all reflecting on how Stevenson creates horror and builds tension.

Monday, March 2, 2020

Resiniferatoxin Is Much Hotter Than Capsaicin

Resiniferatoxin Is Much Hotter Than Capsaicin The hottest hot pepper is no match for the spicy heat of the resin spurge Euphorbia resinifera, a cactus-like plant native to Morocco. The resin spurge produces a chemical called resiniferatoxin, or RTX, which is a thousand times hotter on the Scoville scale than pure capsaicin, the chemical that produces heat in hot peppers. Law enforcement-grade pepper spray and the hottest hot pepper, the Trinidad Moruga Scorpion, both pack a punch of about 1.6 million Scoville heat units. Pure capsaicin comes in at 16 million Scoville units, while pure resiniferatoxin has 16 billion- yes, billion- Scoville heat units. Both the capsaicin from hot peppers and the resiniferatoxin from the Euphorbia can give you chemical burns or even kill you. Resiniferatoxin makes the plasma membrane of sensory neurons permeable to cations, especially calcium. Initial exposure to resiniferatoxin acts as a strong irritant, followed by analgesia. Even though the chemicals may be painfully hot, both capsaicin and resiniferatoxin can be used for pain relief.

Saturday, February 15, 2020

An analysis of the business communication skills needed by entry-level Assignment - 1

An analysis of the business communication skills needed by entry-level accountants - Assignment Example The results of this survey have shown that communication skills are essential especially for new hires. The study notes that the major important communication skills that are required by the new graduates include spelling, grammar, punctuation as well as writing clearly and precisely. This helps the new accountants to be in a position to achieve the desired goals especially with regards to information exchange with their targeted audiences. The study has noted that new accountants often lack basic communication skills such as writing and this often impacts negatively on their performance since there are chances that they may be rated as poor though it may not be the case. To a larger extent, this study is authentic given that there is no work that can be done without communication. Workers exchange views and ideas through the use of different communication styles that range from verbal to nonverbal communication, written as well as listening strategies. In order to be effective in co mmunication, each individual should be conversant in one or all of the communication skills outlined above. The other important aspect why communication is vital in the accounting profession is that the accountants are in a better position to give instructions to their workmates. The employees are also in a position to create mutual understanding among themselves if they communicate effectively. This can be achieved through the use of effective communication skills where the communicators are clear and precise in whatever they say.

Sunday, February 2, 2020

Gender Roles in Manuel Puig's The Kiss of the Spider Woman Essay

Gender Roles in Manuel Puig's The Kiss of the Spider Woman - Essay Example So, the author continues, "En cambio, un homosexual, con fijacin femenina, si, todava, puede defender esa ideologa, porque, como desea ser mujer, pero no puede realizar la experiencia de sea mujer, no puede llegar a desengaarse y sigue el engavio, en el sueiio de que la realizacin de la mujer esta en encontrar un hombre que la va a guiar y que se va a ocupar de ella, lo cual es buscar un padre y no un compaero" (Osario, p. 53). Puig subtly unfolds another aspect of his project: writing about a homosexual. It does not stop surprising us how or why this aspect of his writing has to be grounded with an explanation "beforehand!" That is, by framing the homosexual character of the novel, Molina, first, as "a feminine character who still believed in the existence of a superior man" and, then, as a "homosexual, with feminine fixations," Puig is showing us a certain anxiety regarding homosexuality in his writing. Puig's presentation of Molina is an excuse. It is important to highlight this particular moment in the author's explanation (or excuse) for the homosexual subject because, after presenting such a brilliant feminist reading of the homosocial valorisation of the superior macho, he almost obsessively and uncritically positions the homosexual within the heterosexual matrix as produced by the Oedipal complex--the Freudian "structure" of which he is critical in the footnotes of El beso. How do we reconcile both of the author's positions--on the one hand, his more challenging perspective that informs the construction of masculinity as the fantasy of the homosocial; on the other hand, a reductive and misogynist reading of male homosexuality as a desire to become and appropriate .the "feminine" Moreover, how do we read homosexuality outside the Oedipal complex When we consider the question of sexuality in the text, we must look not simply at writing about homosexual themes or a homosexual character in a "popular" novel, but--and more importantly--the author's own gayness. A consideration of sexual difference as epistemology illuminates our critical reading of a text (Sedgwick, 1991). Along these lines, a reading of El beso de la mujer araa must not only focus on the construction of Molina's sexual identity, the homosexual "with feminine fixations" as a performer of transvestism; but, also, analyze the transvestitic performance of Valentin as a Marxist. This essay will show that ideology--in this case, oppositional revolutionary politics-signals a transvestitic performance; and, that this ideological transvestism necessarily sublimates the homoerotics of any heterosexual male encounter. That is, every male "event" connotes a hidden homosexual embrace. The politics of denying this embrace shamelessly produce the language of sexism and homoph obia. The structure of the El beso de la mujer araa is simple: Valentin, a political prisoner, and Molina share a cell where Molina's retelling of B-movies make the time spent there easier. Before looking at some of the stories told by the prisoners, I would like to evaluate the importance the prison takes as a site of narration. One cannot help thinking of an Arcipreste de Hita or a Cervantes who wrote his masterpiece in/from prison. The architectural design of a prison influences Molina's fantastic story-telling: the close walls must be transcended with complex narratives and performances (Merrim, 1981). If spaces can be labelled "heterosexual," "lesbian," "educational,"

Saturday, January 25, 2020

The Womens Room Experience Essay -- Personal Narrative Essays

I slid down off of my barstool and picked my way across the room. Luckily, the women’s restroom wasn’t too far because it was a crowded night at the bar. I opened the large wooden door and was surprised to see that even though there appeared to be another girl waiting, one of the two stalls empty. Before I even had a chance to let my eyes adjust to the lighting change, the other girl said, in that just-a-little-too-loud drunken voice, â€Å"There’s no toilet paper in that one!† I hadn’t yet made any attempt to enter the stall and she was making sure I didn’t. She then took it upon her self to make sure that we acquired some of the precious paper as soon as humanly possible. She did this by leaning in towards the door of the other stall (which was occupied) and demanding, in the same slightly-too-loud voice, â€Å"Help us out and give us some toilet paper, will ya?† There was no answer from the other side of the stall door so she continued to make her demands. The girl on the outside of the stall gave more warnings to others that stumbled into this semi-chaotic restroom. Still no response from inside the stall. I was half tempted to launch into the Seinfeld â€Å"Spare a Square† tirade (in which Elaine gets into a fight with a woman in a neighboring stall who refuses to pass her some toilet paper), since it seemed fitting in such a situation. But I held off, doubting that either girl would understand the joke. Fortunately, I didn’t have to ponder what to do for too much longer because, just then, the door to the occupied stall swung open and a strikingly tall, slim girl stepped out, still zipping her pants. â€Å"There, have as much as you like!† she said, as a form of greeting, in the same intoxicated voice. She was... ...ng co-eds in the bathrooms of fraternity houses (technically not â€Å"ladies rooms,† they are usually populated with a female majority during large parties) and discussed everything from hairstyles to events on the nightly news with women while waiting in line use a bar bathroom. One would think that somewhere where such a â€Å"private† act takes place would not be considered so freeing. However, Good Housekeeping was right on the mark in its comment on the importance of the ladies room. The ladies room is a place where traditional social norms loose their importance and, as strange as it may seem, new honesty emerges. Now, I don’t have first hand knowledge of the typical men’s room experience, but I have been told it is far from similar to its female counterpart. It’s too bad really, imagine what sort of peace agreements could be made if they were held in the loo.